|
On Monday’s Ask or Tell Me Anything, a caller asked about news sources that might help a person navigate the, um, fast-moving events of 2025.
In my charmingly fumbling way, I talked about a few newsletters and some old reliables, but the question has hung around. We’re going to try to answer it here in a somewhat different way.
Two caveats:
I don’t think people should break up with, say, The New York Times. People treat their media allegiances like Tinder dates instead of like marriages. On a Tinder date, one major failing is enough to send a person to the exit. (I have never been on a Tinder date, but I was fascinated by a recent episode of This American Life which dealt with “trap questions” that people ask as a substitute for sticking a fork in the date to see if it’s done. One of them was “What’s your favorite Tom Hanks movie?” This question bothered me for several hours, culminating in my decision to watch Cloud Atlas for the first time. But that’s a whole other story.¹)
The New York Times is a marriage. You don’t end a marriage just because your partner snores or continues to publish Tom Friedman columns. Whether or not those two are essentially the same thing is a matter I leave up to you.
The Times, The Washington Post, The Atlantic, The New Yorker — these are coops full of some of the smartest and most experienced journalists. In particular, The Atlantic and Ezra Klein of the Times (especially his podcast) seem geared up for this moment.
Second caveat: Here at the show, we think a little differently. We don’t always know what we want to know about, so we journey to some odd places.
Example: I was listening to a BBC podcast called You’re Dead to Me, in particular an episode about Leif Erikson. And I realized that I was sort of interested in Leif Erikson and absolutely frantic to do a show with the main guest, Viking historian Eleanor Barraclough, who is exactly the type of person I enjoy talking to, as I explained last issue.
Here are some suggestions from me and other people who work on the show.
Me first: Two aggregators. The first is Memeorandum, a somewhat mysterious site which claims to be “auto-generated” as opposed to being curated by persons. I won’t go into mechanics, but they’ve done a really good job of incorporating and scraping a lot of newsletters and other startups. Second aggregator: Arts and Letters Daily, which has pretty much the opposite vibe. Memeorandum is the mechanized hum of modern life. ALD is the Brodsky Quartet and Elvis Costello performing a song cycle based on letters written to Juliet Capulet and mailed to Verona.
Both of these sites link you to all kinds of obscure publications. Through ALD, I might wind up at something called Knowable and become interested in — as opposed to the article I was directed to — another piece on the site about cognitive research that involved performing magic tricks for nonhuman animals.
I could go on, but the others have ideas.
Jonathan McNicol, producer
I want to start here by allowing you a thing. I’m in the news business, and you have my permission to completely check out of the news. Temporarily, intermittently, permanently — whatever you need to do is absolutely, 100% OK to do. In the event of an unexpected change in cabin pressure, you’re supposed to secure your own oxygen mask before assisting others. Your health — mental and otherwise — is all you really have. Take care of yourself first and foremost. OK? OK.
Having said that, the truth is that I keep track of the world of politics and government by repeatedly, just all day long, refreshing Bluesky (follow me!), where I follow many reporters and editors and producers and other news people. I get a lot of news alerts on my phone from all the big-name news apps. I listen to some big-name podcasts: the Slate Political Gabfest, the FiveThirtyEight Politics podcast, NPR’s Throughline.
I’ve got two real tips here: 1. Remember how during the first Trump administration, Teen Vogue suddenly became this new bastion of journalism excellence? Well, in the early days of the President Trump Part II: The Revenge era, the new Teen Vogue would seem to be … WIRED magazine. (Which, by the way, was a great magazine for decades before Trump was even a real political figure, and which doesn’t need Elon Musk’s nonsense to keep being one.) And 2. And this one is kind of expert level. Do not attempt if you’ve got any doubts about the health stuff I was saying at the beginning here: I consume some junk I really hate. The Daily Wire, for instance. I home in on the utterly fatuous pop culture takes burped out of the likes of Ben Shapiro and Matt Walsh (all of this stuff is more about culture than it’s about policy, I’d argue). And then I feel like I know some of the other ideas that are out there. And like I need to be boiled.
But I mean, what do I read that really makes me feel like I’m learning things? Quanta Magazine for math and science news. Bright Wall/Dark Room and Cinephilia & Beyond and Vulture and RogerEbert.com for smart, sane pop culture takes. And finally, the Associated Press’ Oddities section is where the REAL news is.
Lily Tyson, senior producer
In addition to the major news sites and newsletters, I’ll mention a few that I enjoy. First, historian Heather Cox Richardson’s Letters from an American. Many of you probably read this already, but just in case it’s new to you, the premise is that Richardson writes daily letters to keep a record of this time for a future historian. It’s a great way to start the day with an overview of the big stories, and it’s written clearly and concisely, with all sources cited.
I also look forward to Tangle, which Colin told me about. This might seem small, but I really appreciate that it comes out in the afternoon, when I usually have my inbox more under control and am ready to dig into a longer newsletter. They (usually) pick one story to give an explanation of and then offer “What the Left is saying” and “What the Right is saying.” My favorite part is that they always give a bit of good news at the end.
For websites, in addition to your usual suspects, I enjoy The Conversation, which is basically a place where academics write articles for the public about a variety of topics, some very newsy, some very non-newsy. I find it’s a good way to get more context and history on topics I’m interested in (and a great way to find guests for the show!).
I also think it’s key to have a few non-news focused newsletters that you are really excited about. For me those are Anne Helen Peterson’s Culture Study newsletter (and podcast), NPR’s Pop Culture Happy Hour newsletter, and Casey Johnston’s She’s a Beast.
Some of our listeners have recommended Vox’s new newsletter The Logoff. What sources are you turning to right now? Let us know at [email protected].
¹ Editor’s note: McNicol here. This Tom Hanks question has hijacked a part of my brain for most of an evening. Here’s Hanks’ filmography, which will be helpful as it hijacks your brain now. The most important Tom Hanks movie — with “most important” being a halfway OK way to determine “best” — is Toy Story, and it isn’t particularly close. (Which tells you more about Toy Story than it tells you about Hanks’ filmography.) And I also realized in this process that I’m pretty sure the most Tom Hanksy of the Tom Hanks movies is … That Thing You Do!, which is maybe a surprise. (And which is also a very good, very fun movie and a perfectly reasonable answer to this question.) It’s awfully tempting to try to come up with some sort of slightly off-the-beaten-path answer, though, in which case I’d probably say something like Road to Perdition or Catch Me If You Can. (The Some Men Want To Watch the World Burn part of my brain wants to say The Man with One Red Shoe.) But really, your favorite movies are the ones you watch the most. The Tom Hanks movie I’ve seen the most times is almost certainly Apollo 13, and I’ll stand by that as my answer. To this question that no one has asked me. Now back to your regularly scheduled programming.
|
|
|
|
|
Saturday Night and September 5
It’s not Deep Impact/Armageddon or A Bug’s Life/Antz or even K-9/Turner & Hooch, but last year, there were two movies with two-word, S-day titles about the behind-the-scenes of a live, 1970s television broadcast. And they’re both in my top 10 for the year.
Saturday Night tells the real-time story of the hours leading up to the first episode of Saturday Night Live in 1975. It’s kind of Studio 60 on the Sunset Strip as a movie and based on the real thing. September 5 tells the story of ABC Sports finding itself covering the hostage situation at the 1972 Munich Olympics on live, worldwide TV and trying to sort out all the ethical and logistical and journalistical questions that entailed. It’s kind of Live from Baghdad but with a bigger budget and, actually, a smaller scope.
Now, I have to acknowledge the flaws in these movies. Saturday Night is narratively … ridiculous. The things that happen in the 109 minutes of this movie did NOT happen in the 109 minutes before SNL debuted. And framing a movie about the Munich Olympics the way September 5 does means you’re basically watching people watching this hostage crisis play out.
But if you’re a nerd about the history of TV or the history of comedy or the history of sports broadcasting, etc., you’ll likely eat one or both of these movies right up.
Saturday Night is available to stream on Netflix. September 5 is available for digital rental, and it’s still in some theaters.
|
|
|
|
Oh, Mary!
I have a Betty Gilpin-adjacent endorsement this week. Oh, Mary! is written by Cole Escola, and it is very, very loosely based on the life of Mary Todd Lincoln, her husband, and her theater teacher. It’s so loosely based on that that Escola was recently asked how much research he did into the life of Mary Todd Lincoln, and his response was that he actively tried to unlearn things he knew about her before writing the play. It’s very silly, very gay, very fun. And Betty Gilpin has just taken over the role of Mary. I didn’t see it with her in the role, but a friend did and said she was fabulous. And I’m not surprised because Gilpin’s physical comedy skills and this role are a match made in heaven. Gilpin will be in the role until mid-March, and it was just announced that Tituss Burgess will take it over at that point. So fun. I loved it.
Oh, Mary! runs at the Lyceum Theatre on Broadway currently through June 28.
|
|
|
|
Bates Motel
Speaking of psychotic, violent men … I’ve been bingeing Bates Motel, which is a television series that was on from 2013 to 2017. As you might guess from the title, it’s framed as a prequel to Psycho, but it’s set in the present day rather than the 1960 setting of the film, which oddly kind of works. Vera Farmiga and Freddie Highmore are really terrific as the psychotically codependent Norma and Norman Bates. And you get to see how it all develops, how he gradually gets transformed into a monster. There are lots of great allusions to Psycho and to Hitchcock in general. It’s very Freudian. It’s impossible to ignore the Oedipal struggle that’s at play. It can get a little bit soapy at times or a little bit repetitive with the constant, ya know, murders and conflict and so forth. But I think, overall, it’s really worth the watch.
Five seasons of Bates Motel are available to stream on Prime Video.
|
|
|
|
Friday Night Lights and GLOW
If you haven’t seen the original television series version of Friday Night Lights, at some point you should. Now, it just went off of Netflix, but I’m guessing it’s going to come back to Peacock because there’s a reboot coming with an entirely new cast. Although Taylor Kitsch said he’d come back to do a cameo if given the opportunity. But everybody from the original agrees that they need to do a new version. The original is really remarkable. It’s the second place we saw Michael B. Jordan. We met Jesse Plemons, who’s everywhere now, on Friday Night Lights.
And speaking of Betty Gilpin: GLOW tells the story of the Gorgeous Ladies of Wrestling. Gilpin is amazing. Alison Brie and Mark Maron are great in it, too. Even if you don’t think a show about the Gorgeous Ladies of Wrestling sounds like a good idea, watch five episodes, and see if you still feel that way.
Five seasons of Friday Night Lights are available for digital purchase. Three seasons of GLOW are available to stream on Netflix.
|
|
|
|
Cat Pastor is a technical producer of The Colin McEnroe Show. You know that precious little artsy indy thing you watched this week? With Guy Pearce and Catherine Keener? Cat didn’t watch that.
|
|
Kinda weird talking about TV while a coup is happening, but, like in most dystopian horror novels, I am at home watching TV while said coup is happening. However, it’s been difficult lately, as there just isn’t that much new TV coming out until mid-month (I cannot WAIT for Summer House).
Luckily, Severance is back to [mess]¹ my brain up, and I wouldn’t advise watching it before you go to sleep because you’ll probably end up dreaming about it. When I first started watching the show (one million years ago when the first season came out), I thought it would be kind of cool to be severed² and just keep work at work and not even have the stressors of that in my outside life. But what this show seems to be proving is almost, the, I don’t know … importance of your work life, stressors and all? Not necessarily from a work standpoint, but a social one.
In this second season, we get to know more of the characters’ “outies” (the outside-of-the-office versions of them), and they’re all ill-adjusted, dare I say … losers? I guess that’s what happens when you live half of a life.
Also, what do they do all day without their phones?
Anyway, I’m going to Florida at the end of the month, and I plan on acting UP, so I’ll have some stories after I get back.
¹Editor’s note: Cat didn’t say “mess.”
²Editor’s note: Severance is about “a team of office workers whose memories have been surgically divided between their work and personal lives.”
Thirteen episodes of Severance are available to stream on Apple TV+. New episodes appear on Fridays.
|
|
|
|
Susan by email: Why do you call him Jonathan McPants? 🤷🏻♀️
McNicol: The answer to this couldn’t be more boring. My Twitter handle is (was, really, at this point) @mcnicolpants. And, uh, that’s it. That’s the answer. It’s mcnicolpants kind of like fancy pants? But more McNicol and less fancy…? It’s pretty dumb.
(And it’s even dumber now because I don’t really use Twitter anymore, and I’ve given up the “pants” part everywhere else. I’m @mcnicol on all your other social medias.)
But because of that, Colin started calling me Pants and McPants. And sometimes when Colin talks, a lot of people can hear him (this is how radio works). And here we are.
Okay, fine. Two more bits of context:
Pants are inherently funny.
David Letterman (a huge, huge influence on, like, my whole personality) has a production company called Worldwide Pants, Inc. Because pants are inherently funny.
But that’s it. That’s all I got.
Well, actually: P.S. I also wear this t-shirt sometimes (and ALWAYS with pants) to throw people off the scent.
We want your questions! Mostly we’re looking for queries about the show, but we’ll take them about pretty much anything and try to come up with some sort of an answer. (Please note that we make no guarantees about the veracity of our answers.) Send us your questions at [email protected]!
|
|
|
Saturday at noon: Our pop culture roundtable, The Nose, looks at the Academy Award-nominated theater and prison drama, Sing Sing, and Netflix’s Taylor Kitsch- and Betty Gilpin-starring limited series, American Primeval.
Monday at 1 pm and 9 pm: We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls, calls about anything, everything. And we’re doing another one. In other words: Give us a call during the 1 p.m. EST hour. 888-720-9677.
Tuesday at 1 pm and 9 pm: Here’s the news: Squirrels, fluffy-tailed, seed- and nut-hoarding, sometimes nuisancey, usually basically vegetarian squirrels … would appear to have become carnivorous hunters. That seems like it requires further investigation, doesn’t it? So this hour: Squirrels — your favorite (or least favorite?) little backyard rodents and, it turns out, possible harbingers of the endtimes. Or something.
Wednesday at 1 pm and 9 pm: We’ve come upon the everyday carry subculture. It’s all about optimizing the objects you carry every day, like a 30-function multitool or a 200-lumen flashlight the size of a lip balm. What’s in your pockets right now? Phone, wallet, keys … maybe some discarded receipts or old gum? This hour: What do we carry with us and why? Should we all think more deeply about what’s in our pockets and purses?
Thursday at 1 pm: Do you ever wish you could have a conversation with your pet or the bird outside your window? This hour, we learn about how animals communicate with one another and how we communicate with them. Plus, some pet owners are turning to soundboards to communicate with their pets. We talk with a researcher who’s exploring how effective that is and what it can teach us about the future of animal/human communications.
Friday at 1 pm and 9 pm: On Fridays, we do shows about pop culture. On this Friday, assuming that the heat death of the universe hasn’t come early (which all thinking about the future kind of assumes), we will air some sort of show about pop culture. It may be that it’ll be a show about the new Noah Wyle medical drama The Pitt, specifically, and about medical dramas, generally. Or it may be that it’ll be something else entirely. And by the time we get to Friday, and assuming the early heat death of the universe hasn’t absolved us of the responsibility, we’ll figure that out for sure.
|
|
|
|
Follow us:
|
|
|
Subscribe to the podcast.
Email us! Really. Do you have questions about the show? Or about the Packers’ defensive backfield? Or about differential equations? Email us your questions about anything, and we’ll try to answer them in a future Noseletter. Even if we don’t necessarily know the right answer.
Did someone forward this to you? Want more? Sign up for The Noseletter.
ctpublic.org/colin
|
|
|